where men hunt
sometimes the woods echo with the birdsong of ballistics, and sometimes women wade swollen into murky swamps cold to the toes, and sometimes men roar like wounded animals beneath a blood moon so tender-red it seems about to pop, and sometimes old boys with withered minds awaken in darkness, startled by their own stink, to find themselves bent and broken without weapon, the sweet taste of yesteryear faint on their lips, unable to answer the self-inflicted questions of their kind—what of leather jackets? what of motorcycles? what of flames? and ambulance goodbyes? and dying young with their name still fresh in a woman?—and sometimes husbands beat their wives to bed, and sometimes husbands beat their wives to death, and sometimes husbands beat it for little muddy communes in the woods, where around the watering hole they grunt and snort and slap each other on the back, toasting to stained-glass memories of oblivion, before stumbling bow-legged to piss their names in the dirt, and sometimes an empty marriage bed isn’t a metaphor for a broken home, and sometimes go forth and multiply means divide and conquer, and sometimes the hunt means more than the kill, for among the pines and autumn refuse, hunched stalking through the muck and filth of the woods, these men gaze into the night as if remembering how to bark like a double-barrel shotgun, to scream like a beast injured by the bear trap of the world, growing louder and louder, until the air is cacophonous with their spring-loaded anguish and the marsh birds take flight and the orange dawn finds them bloodied and bruised, a whole pack with black eyes and broken noses, emerging confused one by one from the woods, as if some lycanthropic spell were to blame for how they act as men.
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portrait of the chimera at a press conference
ladies
and gentlemen
i am the byproduct
of mass production
my parents started
with a slug
of alcohol
and said no
to seat belts
i am gak
and goop
and mud
in a suit
if i had a flair for the dramatic
i’d say something
like flashbulbs
lit the night
when they yanked me
from the cave
in which i rested
men with rope
and cameras
rushing forward
in the rain
dark broth
oozing
with each
shake of my serpent
-headed tail—
but i lack
the attention
to span such thoughts
and too often
the realization strikes
like the sharp tilt
of sobriety after hitting
an animal
instinct takes over
the jaw moves
to its instructions
and i am attacking
myself in a mirror poking
and prodding the sad
deposits
around my sides
and thighs
the tiger stripe
stretch marks
clinging to me for dear life
dear god
if time
has a way of healing
wounds how much
must scar
before i am
something else
ABOUT THE ARTIST
dale j rappaneau jr is an American poet living in Bowdoinham, Maine, where he is pursuing a degree in creative writing from the University of Maine at Farmington. He is the forthcoming co-editor of The Sandy River Review, a Maine-based literary magazine overseen by Alice James Books.
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Copyright belongs to the creator. .